River Region Costume and Textile Conservation
Howard Sutcliffe is the principal conservator and director of River Region Costume and Textile Conservation, a private practice in Montgomery Alabama. River Region provides collection management advice, collection surveys and conservation treatment services for individual and institutional clients; including for 2019 Mobile Museum of Art, AL. Georgia Museum of Art, GA. Furman University, SC. Ah-Tha-Thi-Ki Museum, FL. Orange County Regional History Center, FL. Tampa Bay History Center, FL. Detroit Institute of Arts, MI. Flint Institute of Arts, MI. Kent State University Museum, OH. National Park Service (NISI, SHIL, SEMO,TUIN,TUAI). New Orleans Museum of Art, LA. McClung Museum of Art, TN. Battle of Franklin Trust, TN. Tennessee State Museum, TN. Biltmore Estate, NC, and Preservation Virginia, VA.
Howard has previously worked as the Head Textile Conservator at the Detroit Institute of Arts and in the textile conservation studios at the Philadelphia Museum of Art and American Textile History Museum in the US and at The National Trust and National Museums Liverpool in his native UK.
He is Professional Associate member of the American Institute for Conservation of Historic and Artistic Works, and is a current board member of the North American Textile Conservation Conference and editor of the 2015 New York City, 2017 Mexico City, and 2019 Ottawa NATCC conference preprints.
Nicholas II: The Reluctant Autocrat
Georgia Museum of Art, GA.
The exhibition focuses on the reign of the last of the Romanov rulers, Nicholas II (1894–1917).
It includes several textile objects, among them an officer’s parade uniform made for Nicholas II; the official uniform costume of the Lord Chamberlain at the Imperial Court of Saint Petersburg, a Cossack robe (chokha/cherkeska) and a gold-embroidered Caucasian outfit for a boy.
Get in touch
Please use the contact form to get in touch or feel free to call or email directly using the address and number listed. Sending photos along with a description of your object, and information about what you want to do with it (display, storage etc.) is always useful. The conservation process starts with an examination of the object and an assessment of its condition either in person or from high quality photographs. This enables me to write a treatment proposal tailored to your object that includes a time and cost estimate.
Using an ultrasonic humidifier to relax creases and wrinkles in Kermit's collar prior to display. Photo courtesy of the Detroit Institute of Arts.